One of the limitation of a focal plane shutter, both used by mirrorless and DSLR, is that it can only allow shooting with strobe at 1/200 shutter speed and below. The maximum shutter speed that the camera can allow with strobe is called flash sync. Should you decide to shoot faster than the flash sync, you’ll see a block of line in your shot..
Well it’s quite easy to digest that as long as you’re below the flash sync, you’re safe. However, what if you want to shoot at faster shutter speed? What if you want to open up your aperture to create a shallow depth of field and increase the shutter to control the exposure while using strobe to fill in the light?
Perfect for shooting portraits. Beauty dish mounted on a Phottix Indra500 set on hi speed sync. 1/1600sec, f/1.8
Few weeks ago, I was reading a thread about a photographer crowdsourcing on how to match his prints against his monitor. He positioned his photo side by side his monitor to show just how much injustice there is to the imagery. He also said that it looks perfect in the monitor only to find out it looked terrible in print and to other monitors.
This is a typical scenario that many photographers experience. This is a situation that you cannot be saved by crossing your fingers, hoping it won’t happen when doing commissioned shoots. Fortunately, no need for rocket science to figure this out. Just a plain understanding and a particular device called monitor calibrator.
Even mobile devices can now be calibrated. The operating system for both Android and iOS accepts ICC profile to be loaded to the video card so color can be consistent up to mobile devices.
Given the different monitor calibrators available in the market today, there’s more than one procedures to follow. What’s important though is the processes involved. You need to understand it more than following the step by step procedure. Continue reading “Monitor Calibration” »
I always have a difficult time answering to photographers who asks me what lens to buy. Not that I don’t want to help, it’s just that the answer need a more serious sit down and discussion to ge explain it right. Lenses are specialized based on your specific needs. That is the major advantage of having a replaceable lens camera.
17-40mm is the go to lens when it comes to landscape but in this shot, I used a 14mm lens. It offers a different perspective with just enough distortion. It’s a very interesting lens for landscape.
The rule when buying lens is that quality and durability will always speak its price. There are variables that needs to be considered, focal length and aperture. There’s also the zoom and prime lenses. Here’s a list of lenses and their usage based on a 35mm sensor. Continue reading “What lens to buy?” »
Photo taken using Fujifilm GFX 50s body, GX120mmF4 R WR lens by Jan Gonzales.
Last year, when Fujifilm announced their medium format mirrorless camera, I have to admit, I had no excitement at all. I know that it’s going to be great just like the other medium format cameras in the market today but I was also sure that it’s going to be out of reach in terms of price. However, I was wrong, Fujifilm always makes product with the consumers in mind.
First stop, size. During the launching of GFX 50s, I tried it and it feels like holding my Canon 5D. Size and weight is very similar except for the 1.7 times bigger sensor inside. It felt good in my big hands and easy access to camera settings with the straight-forward dials which Fujifilm is known for. Continue reading “Breaking Barriers” »
Travel Photography is one genre that still captures my heart even if I think of a model subject to add to the composition. (Hermit’s Cove, Aloguinsan, Canon 5D, 17-40)
First of all, I would like to congratulate all the winners of Sinulog Photo Contest 2017. The effort, skill and talent all rolled together to emerge as winners out of the thousands of participants. Sinulog is always a spectacle that photographers cannot resist. I can only wish though, that we can be more disciplined next year.
Photography has a lot of genre for you to choose from when you’re a greenhorn. Sometimes there’s too much for you to try that you end up doing everything but hasn’t mastered one. Any photographer can easily get interested about anything about photography, especially if they see a work of a master photographer. Continue reading “Finding the genre that fits you” »
Challenge accepted. Shooting with natural light since I had no lighting gears with me and shooting at a very tight emergency exit stairs. (Rouge Models International)
A modelling agency called me about shooting test shots for their open casting. I ask what type of photos they are after, they told they only need professionally done mug shots. I was also informed that the studio is quite small, just about 35 square meters white walls and ceiling. With all these info I gathered, I decided to bring my standard camera gadgets and a speedlight.
The first test shot went really well as I just bounced the mounted flash to the ceiling which gave me soft overhead light. The walls kept the shadows really minimal and made the regular mug shot some professional feel to it. The dilemma started when the international models came pouring in. Continue reading “Practice makes perfect” »
Recently, I handled a fashion photography workshop at Philippine Center for Creative Imaging in Makati. I had apprehensions on speaking tagalog as I might slip into speaking visayan. It turned out to be more difficult because I have to speak english all the way having students from Japan and the Oman who came to the Philippines just to attend the workshop.
Spills from the recent workshop I handled. Playing with gels to get out of the norm. Model: Camille Sedar, PCCI.
I’m always intrigued about each and every student’s story on how they end up taking the workshop. This is the next level workshop after taking the basics. I always wondered how they decided to take fashion photography over the other courses. It was fun being with other passionate persons loving the same genre. Continue reading “Drive Your Passion” »
During the holidays, I was teaching my niece how to pose and project in front of a camera. Family members are the best practice models when you’re starting up.
Just before the end of 2016, I had a meeting with a fellow photographer in my hometown in San Francisco Agusan del Sur. I was interested to know how the photography industry is doing and the skills of photographers in the area. My idea was to conduct a workshop so I can contribute additional knowledge about photography and improve the skills of my town folks.
Learning in photography is forever. There can only be a start but never an ending. A photographer will always be a student no matter what level of proficiency he is at. The basic principles can be learned in a matter of day and pretty much, you’ll be shooting with you camera the following day. However, it’s the art and style of photography that goes on and never ends. Continue reading “New year, new learning” »
Last week, I attended the Christmas party of Philippine Center for Creative Imaging (PCCI). Officially it was also my introduction as one of the faculty member teaching Fashion Photography. There I’ve met icons in Photography like Mike Floro, Rommel Bundalian, Jijo De Guzman to name a few.
We didn’t utter anything photography that night but it only shows that these photography heavy weights is already in the level that they don’t have to prove anything anymore. To be with the greats, makes you feel one of them as well but I know for sure that there’s so much to prove in my end than theirs.
Organic. In one of my conversations with Eva, we tried to define the type of photographs I take and she told me it looks organic. Model: Eva Mania.
For those photographers who have a hate and love relationship with natural lighting, outdoor shooting can only go two ways, disaster or perfection. I know the feeling, I’m one of them. Although natural light is still the best light and cannot be perfectly mimicked by artificial light, it can also be a headache when you mix it with your strobe light.
We found this open space in north reclamation area with an old junked Koashiong bus. Looks like an eye sore for passersby but a gold mine to the eyes of a photographer. Natural light with a mix of strobe light. Model: Eva Maria.
I know and understood it long time ago that mixing natural and artificial light is a recipe for disaster but it’s irresistible not to do it. You know that natural light will change intensity without any warning and suddenly one of your light source is off the mark while the strobe is not compensating. However, if both natural light and your strobe blended correctly, the result is impeccable. Continue reading “Outdoor Location Shoot” »