I’m occasionally asked about my thought process when shooting. I would hear the same question when watching photography video tutorial. When I was just starting up, that’s what I always ask every time I meet somebody I look up to. When learning photography the photos are output of the photographer’s creative process. Continue reading “Thought Process” »
Few weeks ago, I was reading a thread about a photographer crowdsourcing on how to match his prints against his monitor. He positioned his photo side by side his monitor to show just how much injustice there is to the imagery. He also said that it looks perfect in the monitor only to find out it looked terrible in print and to other monitors.
This is a typical scenario that many photographers experience. This is a situation that you cannot be saved by crossing your fingers, hoping it won’t happen when doing commissioned shoots. Fortunately, no need for rocket science to figure this out. Just a plain understanding and a particular device called monitor calibrator.
Given the different monitor calibrators available in the market today, there’s more than one procedures to follow. What’s important though is the processes involved. You need to understand it more than following the step by step procedure. Continue reading “Monitor Calibration” »
I always have a difficult time answering to photographers who asks me what lens to buy. Not that I don’t want to help, it’s just that the answer need a more serious sit down and discussion to ge explain it right. Lenses are specialized based on your specific needs. That is the major advantage of having a replaceable lens camera.
The rule when buying lens is that quality and durability will always speak its price. There are variables that needs to be considered, focal length and aperture. There’s also the zoom and prime lenses. Here’s a list of lenses and their usage based on a 35mm sensor. Continue reading “What lens to buy?” »
Last week, I attended the Christmas party of Philippine Center for Creative Imaging (PCCI). Officially it was also my introduction as one of the faculty member teaching Fashion Photography. There I’ve met icons in Photography like Mike Floro, Rommel Bundalian, Jijo De Guzman to name a few.
We didn’t utter anything photography that night but it only shows that these photography heavy weights is already in the level that they don’t have to prove anything anymore. To be with the greats, makes you feel one of them as well but I know for sure that there’s so much to prove in my end than theirs.
I had a unique scenario few years back with a client who wants to see the shots while we were shooting. It was on outdoor shoot so we had to connect my camera through its USB port to my enclosed laptop and use Lightroom’s tethering feature. It was a solution at that time but we encountered some concerns along the way.
Yes, the client was happy even if the shots were coming in slow. There’s about 5 seconds delay and I have to shoot it with a good interval between shots so the transfer of data, given the fact that we were shooting raw, wouldn’t be that overwhelming. The connection between the computer and camera somehow keeps on disconnecting.
This is something that I have to deal with every time we need to shoot tethered. I know that I must have done something wrong or a setting that needs to be set since those that I see in youtube are working perfectly fine. Continue reading “Tethered Shooting” »
I always witness a photographer or art director, maybe the agency rep tell the model to relax. This also happens in any type of shoot whether shooting couples for prenup or a teenager for her pre debut pictures. “Relax lang” is what I always hear hoping the subject would loosen up and project a more ideal result.
Unfortunately, asking the subject to relax never results in a more confident subject. It’s not a magic word that changes the state of mind. I wish it would but it won’t. We encounter this a lot during shoot when subjects would just freeze in the set and you’d wish that they’d relax and show more confidence.
It’s quite an experience to be able to teach photography to students coming from different background. I normally ask them how they end up wanting to learn photography and their answer just adds to the complexity of why people love photography. There is really no pattern, just the same end in mind.
The bridge between starting up and gaining confidence with your shots is long and full of doubts. One student of mine told me that her shots looks really bad and it seems like photography is not for her. However, in that long journey of discovering and doubts, you’ll also experience moments of euphoria from exceptional photos you’ll get once in awhile.
This will drive you for another long haul til the next jackpot shot. Then you will realize that the gap becomes narrower and suddenly you’re in the zone. The thirst for getting the best shot is still very much the goal and mediocre becomes intolerable as your audience are left in awe with trail of amazing photos you’ve shot.
I have a friend who’s into graphics and photography that uses Photoshop 7. This is way back late 90s just before CS and CC versions. He said that he don’t need any of the new features and all the tools that he needs is there. True, in my use of Photoshop, the essential tools are normally enough for me but I also take advantage of new features that can speed up my task.
Some photographers that I know, uses Photoshop exclusively only as a base application for third-party filters. The moment the file opens, they just dive into the world of filters and plug-ins. No quarrel on that, it’s always the final result that matters. Continue reading “Photoshop Update” »
Recently, Fujifilm released their version of a medium format mirrorless camera. I very much agree that indeed, the camera is definitely better than any full frame camera. Just the same as Hasselblad and Phase One who has been in the medium format industry for the longest time, bigger sensor is always better.
What makes a bigger sensor better is the ability to collect more light in a surface plane. The more light collected, the more data you get out of a single shot. Do we need all the data collected or how can we take advantage of the available data? It’s quite surprising that not all the data will be displayed.
Our monitor cannot display all the available data due to limitation and this also applies to print. Even if the monitor can display it, our eyes is not capable of seeing more than 16.8 million colors. A normal 14-bit file can capture 4.39 trillion colors. Then you would wonder where would I use all the extra data that I get when using bigger sensor? Continue reading “Sensor Size and Dynamic Range” »
In my last few articles, I mentioned that I have issues on what’s the right lens to bring when shooting travel photography. It’s always been a hit or miss in my case. Recently, I went out for another travel photography project and made some adjustments. This time, my Samyang 14mm joined the gang.
I normally just bring my 70-300, 17-40 and 24-105. I’m most comfortable with these lenses and the level of sharpness and contrast is just enough for me to get the results I wanted. The issue of whether to bring two camera bodies was resolve in my last trip. I have decided that two camera bodies helps a lot in minimising changing lens in the field. Continue reading “Wider Perspective” »