I started serious photography sometime 2010 and I started it in a studio. Although I took some landscape and a few outdoor shooting back then, still, my creative space is inside a studio. I guess you can say that my photography was born in a studio. There was a point in my photography journey that I feared shooting with ambient light.
Color grading is mostly used in editing movies. This is one way to set a mood and trance the audience into a different experience. If you’re a fan of the movie Matrix, you can obviously see the green in the mid tone and shadows in the entire movie. It was a bit exaggerated and weird but it works and it sets the mood and depth of every scene.
Apply grading or color toning in still photos is a lot more easier than in movies. You also get a lot of control on the tones when editing having more pixel quality than in movie frames. One way to completely flip your image from an ordinary looking photograph to something different and distinct is applying color toning.
Color toning is tricky and can ruin your image if done wrong but of course it really differs from the artist’s taste. In fact, Instagram is using color toning as filters to add a unique approach to your photos. The effect of the technique is surreal but applying just a pinch of toning can make the difference between an everyday looking photo to something interesting. Continue reading “Color Toning” »
Last weekend, I handled another fashion photography workshop at Philippine Center for Creative Imaging (PCCI). It was surprising to see photographers interested in this genre to come from different industries. One was an IT consultant who loves to shoot fashion on the side. There was one who owns a printing company and the other one owns a trading business.
I myself also came from the graphics industry for two decades of my career but decided to go full time shooting commercial and fashion. My students last weekend did not only come from different industries, they were also different in characters. We had one that completely mutes when shooting the model to the one that won’t stop talking in the set. Continue reading “Of Confidence and Imagination” »
In a short workshop I did for Canon last week, one of the attendees asked me if I get jealous or hurt if another photographer makes a beautiful shot. Before I answered the question, I asked her how long has she been shooting. She answered for about a year already. I was never asked this kind of question before. I know my answer, I’m just not sure if it’s the right advice. Continue reading “When You’re a Creative” »
Have you been asking yourself how those beautiful photos in 500px, Flickr and other photo sharing website is done? Why is it so perfect? I have to admit, I did asked myself about it many times. It’s even one of my driving force to better myself every time. Sometimes you’d wonder if you’ll ever reach that level of photography that is worthy of admiration.
Well, there’s two parts of achieving those type of photos, one is excellent photography and the other one is masters in photo editing. The same complexity and a combination of art that you can find in photography, photo editing is just as deep as it goes. Photo editing compliments photography. Continue reading “Up your Photography” »
After 5 AC strobes, 3 battery pack strobes and 4 speedlights, 10 wireless triggers, only now that I realize how convenient it could have been if I invested on an ecosystem. All my devices would have worked together smoothly. If only I’ve know this when I was starting up, I could have saved myself from all the troubles.
Unfortunately, you wouldn’t know these things unless you experience it yourself. There’s a lot of things to goes through your mind when you’re starting up and most of them are associated with cost of equipments. You will always find branded equipments to be very expensive and the cheaper brands were very much capable. Continue reading “Ecosystem” »
Before you start the argument that skill is more important than gear, give me a chance to explain. I’ve been preaching it ever since that before you upgrade your equipments, you should upgrade yourself first. Find out if buying a new equipment will match your skills. Do you deserve it or you probably used the excuse that I’d be more inspired if I’m using a better gear.
My first digital camera lasted for three years before I added a new one. I even only had one lens, 50mm 1.4 back then. Oh I also had a dole out 28-105 lens. Basically, these are what I had for three years. Our brains are so creative that they can really find the most convincing reason to upgrade and often times, we all fall victim to it. Continue reading “Gear Matters” »
In the recent workshop that I conducted for PCCI in Makati, the students asked me why I chose fashion photography over the others. I told them that I like the pressure. The idea that I will almost always call it quits everytime fuels my passion to even play harder. Above all, it’s the satisfaction that I get producing artworks with style.
Behind every fashion photo you see is a mix of beauty and style. The problem that arises in and out of the set is as simple as missing memory card to one of the creatives decided not to show. There’s weather if you’re shooting outdoors and equipment failures here and there. But in the middle of chaos, a work of art is brewing. Continue reading “Hassles in fashion photography” »
I always get a mix of inquiries from different photographers. There are those who are about to start doing photography, some are just thinking of doing it and there are those already into it. The questions range from too easy up to complicated ones. With all the different level of photographers I meet, I can’t even define how many levels there is. Continue reading “Endless Learning” »
One of the limitation of a focal plane shutter, both used by mirrorless and DSLR, is that it can only allow shooting with strobe at 1/200 shutter speed and below. The maximum shutter speed that the camera can allow with strobe is called flash sync. Should you decide to shoot faster than the flash sync, you’ll see a block of line in your shot..
Well it’s quite easy to digest that as long as you’re below the flash sync, you’re safe. However, what if you want to shoot at faster shutter speed? What if you want to open up your aperture to create a shallow depth of field and increase the shutter to control the exposure while using strobe to fill in the light?