Last week during the Camerahaus Photo Festival in BGC, I noticed that a lot of photographers are still in DSLR. I was expecting to see more mirrorless camera this time around. The same festival last year was dominated by DSLR users but with the trend going to the mirrorless side, it was surprising to see less of them. Continue reading “Bulky DSLR” »
In my many workshops in the creative industry and that includes photography, it is very common to know that some Photoshop users are still using the application like it’s the 90’s. They are using the current version but the approach and practice is way back couple of decades ago.
Somehow, our source of learning is from a colleague who learned it from a senior colleague who also learned it from another one. That’s how an old practice travelled through time and up until now is being practiced. Although, Youtube tutorial has introduced newer approach, some of the tutorial are using it the wrong way.
Last weekend during the Macys Camera Anniversary event I found myself with the greats. I had the chance to get up close and personal with Canon’s LIght Crusader Edwin Martinez and strobist Ricky Ladia. Seeing them talk about their work and the different techniques they use when shooting only proves how much expertise they have gain mastering their craft. Continue reading “Finding who you are” »
I still remember vividly when I had my first shoot, my major concern is posing. Even in the next coming shoots, it was always my weakness. Back then, I’d do a ton of research for the right posing and the different dos and don’ts. I try to do my best to imprint the image into my head so during shoot I can pull them out as needed.
Since I’m really not good in memorizing, I always end up dry and when the time comes that the model would ask for the dreaded question, “what should be my posing?”, it was like squeezing a drop of water out of a dry towel. The save reference poses to cellphone trick made a difference but I was slowly turning mechanical. Continue reading “Understanding Posing” »
A famous term in photography is backlight. Even a non photographer would know that shooting with the light coming from the back is undesirable. Whether shooting with the most expensive camera, backlight issues are known to mess up your shot. Unless if it’s intentional like silhouette, then you can get away with it.
We experience the same situation when the sun is low and beaming straight towards us, most likely we cannot see what is in front of us. Just the same as when an approaching car’s headlight is set to high. Our eyes cannot see the extent of brightness and low light at the same time.
This is the same dilemma when using a camera. What’s worse is the camera has a narrower range between bright and low light compared to human eyes. Often times, we can still see it when we look at the scene with bare eyes but the result comes out with flat shadows and shows no details. Continue reading “Dynamic Range” »
After 5 AC strobes, 3 battery pack strobes and 4 speedlights, 10 wireless triggers, only now that I realize how convenient it could have been if I invested on an ecosystem. All my devices would have worked together smoothly. If only I’ve know this when I was starting up, I could have saved myself from all the troubles.
Unfortunately, you wouldn’t know these things unless you experience it yourself. There’s a lot of things to goes through your mind when you’re starting up and most of them are associated with cost of equipments. You will always find branded equipments to be very expensive and the cheaper brands were very much capable. Continue reading “Ecosystem” »
Before you start the argument that skill is more important than gear, give me a chance to explain. I’ve been preaching it ever since that before you upgrade your equipments, you should upgrade yourself first. Find out if buying a new equipment will match your skills. Do you deserve it or you probably used the excuse that I’d be more inspired if I’m using a better gear.
My first digital camera lasted for three years before I added a new one. I even only had one lens, 50mm 1.4 back then. Oh I also had a dole out 28-105 lens. Basically, these are what I had for three years. Our brains are so creative that they can really find the most convincing reason to upgrade and often times, we all fall victim to it. Continue reading “Gear Matters” »
In the recent workshop that I conducted for PCCI in Makati, the students asked me why I chose fashion photography over the others. I told them that I like the pressure. The idea that I will almost always call it quits everytime fuels my passion to even play harder. Above all, it’s the satisfaction that I get producing artworks with style.
Behind every fashion photo you see is a mix of beauty and style. The problem that arises in and out of the set is as simple as missing memory card to one of the creatives decided not to show. There’s weather if you’re shooting outdoors and equipment failures here and there. But in the middle of chaos, a work of art is brewing. Continue reading “Hassles in fashion photography” »
I always get a mix of inquiries from different photographers. There are those who are about to start doing photography, some are just thinking of doing it and there are those already into it. The questions range from too easy up to complicated ones. With all the different level of photographers I meet, I can’t even define how many levels there is. Continue reading “Endless Learning” »
I’m occasionally asked about my thought process when shooting. I would hear the same question when watching photography video tutorial. When I was just starting up, that’s what I always ask every time I meet somebody I look up to. When learning photography the photos are output of the photographer’s creative process. Continue reading “Thought Process” »