Shooting outdoors at shutter speed 1/800, possible using Phottix Indra500 high speed sync. It can go as high as 1/8000, no need to attach the ND filter to reduce the light. (Samiria Santana)
After 5 AC strobes, 3 battery pack strobes and 4 speedlights, 10 wireless triggers, only now that I realize how convenient it could have been if I invested on an ecosystem. All my devices would have worked together smoothly. If only I’ve know this when I was starting up, I could have saved myself from all the troubles.
Unfortunately, you wouldn’t know these things unless you experience it yourself. There’s a lot of things to goes through your mind when you’re starting up and most of them are associated with cost of equipments. You will always find branded equipments to be very expensive and the cheaper brands were very much capable. Continue reading “Ecosystem” »
One of the limitation of a focal plane shutter, both used by mirrorless and DSLR, is that it can only allow shooting with strobe at 1/200 shutter speed and below. The maximum shutter speed that the camera can allow with strobe is called flash sync. Should you decide to shoot faster than the flash sync, you’ll see a block of line in your shot..
Well it’s quite easy to digest that as long as you’re below the flash sync, you’re safe. However, what if you want to shoot at faster shutter speed? What if you want to open up your aperture to create a shallow depth of field and increase the shutter to control the exposure while using strobe to fill in the light?
Perfect for shooting portraits. Beauty dish mounted on a Phottix Indra500 set on hi speed sync. 1/1600sec, f/1.8
Continue reading “Phottix Indra Hi Speed Sync” »
Challenge accepted. Shooting with natural light since I had no lighting gears with me and shooting at a very tight emergency exit stairs. (Rouge Models International)
A modelling agency called me about shooting test shots for their open casting. I ask what type of photos they are after, they told they only need professionally done mug shots. I was also informed that the studio is quite small, just about 35 square meters white walls and ceiling. With all these info I gathered, I decided to bring my standard camera gadgets and a speedlight.
The first test shot went really well as I just bounced the mounted flash to the ceiling which gave me soft overhead light. The walls kept the shadows really minimal and made the regular mug shot some professional feel to it. The dilemma started when the international models came pouring in. Continue reading “Practice makes perfect” »
Recently, I handled a fashion photography workshop at Philippine Center for Creative Imaging in Makati. I had apprehensions on speaking tagalog as I might slip into speaking visayan. It turned out to be more difficult because I have to speak english all the way having students from Japan and the Oman who came to the Philippines just to attend the workshop.
Spills from the recent workshop I handled. Playing with gels to get out of the norm. Model: Camille Sedar, PCCI.
I’m always intrigued about each and every student’s story on how they end up taking the workshop. This is the next level workshop after taking the basics. I always wondered how they decided to take fashion photography over the other courses. It was fun being with other passionate persons loving the same genre. Continue reading “Drive Your Passion” »
Last week, I attended the Christmas party of Philippine Center for Creative Imaging (PCCI). Officially it was also my introduction as one of the faculty member teaching Fashion Photography. There I’ve met icons in Photography like Mike Floro, Rommel Bundalian, Jijo De Guzman to name a few.
We didn’t utter anything photography that night but it only shows that these photography heavy weights is already in the level that they don’t have to prove anything anymore. To be with the greats, makes you feel one of them as well but I know for sure that there’s so much to prove in my end than theirs.
Organic. In one of my conversations with Eva, we tried to define the type of photographs I take and she told me it looks organic. Model: Eva Mania.
Continue reading “Fashion Photography” »
For those photographers who have a hate and love relationship with natural lighting, outdoor shooting can only go two ways, disaster or perfection. I know the feeling, I’m one of them. Although natural light is still the best light and cannot be perfectly mimicked by artificial light, it can also be a headache when you mix it with your strobe light.
We found this open space in north reclamation area with an old junked Koashiong bus. Looks like an eye sore for passersby but a gold mine to the eyes of a photographer. Natural light with a mix of strobe light. Model: Eva Maria.
I know and understood it long time ago that mixing natural and artificial light is a recipe for disaster but it’s irresistible not to do it. You know that natural light will change intensity without any warning and suddenly one of your light source is off the mark while the strobe is not compensating. However, if both natural light and your strobe blended correctly, the result is impeccable. Continue reading “Outdoor Location Shoot” »
Christy Jane Perolino of Stacey Model Management, representing Cebu for the national Bodyshots 2016. Studio setup, fashion gray backdrop and gridded softboxes and some reflectors.
Recently, I did a portfolio shoot with one of the models of Stacy Model Management and it’s something I haven’t done for a long time. I left photography sometime late 90’s and when I started shooting again 10 years later, it was fashion photography that kept me with photography and the journey has become more interesting than ever
I worked with a lot of Stacy’s models when I was very much active filling up pages for IMAG magazine. I cannot say it was a training ground because until today, I still feel like an apprentice discovering a lot of possibilities and endless imaginations. The learning is always there, it’s up to you how much more you want. Continue reading “Back to Studio” »
I have a friend who’s into graphics and photography that uses Photoshop 7. This is way back late 90s just before CS and CC versions. He said that he don’t need any of the new features and all the tools that he needs is there. True, in my use of Photoshop, the essential tools are normally enough for me but I also take advantage of new features that can speed up my task.
No matter how much retouching is needed, I always start with Lightroom and do my retouching in Photoshop then back to Lightroom again for final correction and export. Credits to Danny, Anastasia and iioffice Cebu.
Some photographers that I know, uses Photoshop exclusively only as a base application for third-party filters. The moment the file opens, they just dive into the world of filters and plug-ins. No quarrel on that, it’s always the final result that matters. Continue reading “Photoshop Update” »
This image is heavy on the dark areas and inkjet printing would sometimes pour too much ink on it to get a good density. That’s the reason why inkjet adds additional cartridges in different shades of black to solve this issue. Density in dark areas is never an issue with Photolab.
I’m a color management specialist. I’m a pro digital guy who believes in the digital revolution. However, there are conventional process that simply works and in some cases, better than the digital counterpart.
Recently, I needed to print a few of my images for submission so the quality requirement is somewhat critical. It was an automatic course of action to have it printed using a digital printer. I have been calibrating and optimising a particular inkjet printer to print this kind of quality requirement. I made some few prints and it looks okay except for some overflowing ink in the dark areas. Continue reading “Photolab printing is still King” »
I normally consumes around four terabytes of storage per year. Until now, there’s still no permanent solution on how we can safely keep our digital image. DVD is an option but it takes a lot of time to burn a disc and the possibility of getting damaged. As I was transferring my old files to the slower drive, I get to have a run down of all the images that I took for the previous year.
It brings you back to that moment and you start to remember the feeling and the mood in the set. What’s surprising is you get to see some shots that didn’t caught your attention at that time. That’s the reason I never delete unselected files. I enjoy looking at the frame by frame development of the shot.
This photo is one of the unselected images couple of years back shooting Calendar for Plantation Bay. Sometimes the photo needs a review in another time before you can see it sparkling with beauty.
Continue reading “Slow Starter” »