I’m occasionally asked about my thought process when shooting. I would hear the same question when watching photography video tutorial. When I was just starting up, that’s what I always ask every time I meet somebody I look up to. When learning photography the photos are output of the photographer’s creative process. Continue reading “Thought Process” »
One of the limitation of a focal plane shutter, both used by mirrorless and DSLR, is that it can only allow shooting with strobe at 1/200 shutter speed and below. The maximum shutter speed that the camera can allow with strobe is called flash sync. Should you decide to shoot faster than the flash sync, you’ll see a block of line in your shot..
Well it’s quite easy to digest that as long as you’re below the flash sync, you’re safe. However, what if you want to shoot at faster shutter speed? What if you want to open up your aperture to create a shallow depth of field and increase the shutter to control the exposure while using strobe to fill in the light?
Few weeks ago, I was reading a thread about a photographer crowdsourcing on how to match his prints against his monitor. He positioned his photo side by side his monitor to show just how much injustice there is to the imagery. He also said that it looks perfect in the monitor only to find out it looked terrible in print and to other monitors.
This is a typical scenario that many photographers experience. This is a situation that you cannot be saved by crossing your fingers, hoping it won’t happen when doing commissioned shoots. Fortunately, no need for rocket science to figure this out. Just a plain understanding and a particular device called monitor calibrator.
Given the different monitor calibrators available in the market today, there’s more than one procedures to follow. What’s important though is the processes involved. You need to understand it more than following the step by step procedure. Continue reading “Monitor Calibration” »
I always have a difficult time answering to photographers who asks me what lens to buy. Not that I don’t want to help, it’s just that the answer need a more serious sit down and discussion to ge explain it right. Lenses are specialized based on your specific needs. That is the major advantage of having a replaceable lens camera.
The rule when buying lens is that quality and durability will always speak its price. There are variables that needs to be considered, focal length and aperture. There’s also the zoom and prime lenses. Here’s a list of lenses and their usage based on a 35mm sensor. Continue reading “What lens to buy?” »
Last year, when Fujifilm announced their medium format mirrorless camera, I have to admit, I had no excitement at all. I know that it’s going to be great just like the other medium format cameras in the market today but I was also sure that it’s going to be out of reach in terms of price. However, I was wrong, Fujifilm always makes product with the consumers in mind.
First stop, size. During the launching of GFX 50s, I tried it and it feels like holding my Canon 5D. Size and weight is very similar except for the 1.7 times bigger sensor inside. It felt good in my big hands and easy access to camera settings with the straight-forward dials which Fujifilm is known for. Continue reading “Breaking Barriers” »
Just before the end of 2016, I had a meeting with a fellow photographer in my hometown in San Francisco Agusan del Sur. I was interested to know how the photography industry is doing and the skills of photographers in the area. My idea was to conduct a workshop so I can contribute additional knowledge about photography and improve the skills of my town folks.
Learning in photography is forever. There can only be a start but never an ending. A photographer will always be a student no matter what level of proficiency he is at. The basic principles can be learned in a matter of day and pretty much, you’ll be shooting with you camera the following day. However, it’s the art and style of photography that goes on and never ends. Continue reading “New year, new learning” »
For those photographers who have a hate and love relationship with natural lighting, outdoor shooting can only go two ways, disaster or perfection. I know the feeling, I’m one of them. Although natural light is still the best light and cannot be perfectly mimicked by artificial light, it can also be a headache when you mix it with your strobe light.
I know and understood it long time ago that mixing natural and artificial light is a recipe for disaster but it’s irresistible not to do it. You know that natural light will change intensity without any warning and suddenly one of your light source is off the mark while the strobe is not compensating. However, if both natural light and your strobe blended correctly, the result is impeccable. Continue reading “Outdoor Location Shoot” »
I’ve been doing photography workshops for about 5 years now. Every time I start my workshop, I always ask why they chose to learn photography. A mix of answers would surface, some because there’s a camera lying around the house. A few would say my parents convinced me to enroll but almost always, one would say “because I’ve always wanted to do photography”.
Of course our learning curves are all unique. Some who joined without any expectation turned out to be a natural in seeing things creatively. And yeah, some with all the expensive gadgets will seem to have difficulty getting it right. There is really no absolute pattern or a common trait that a person may have for you to know that he will excel in photography. Continue reading “Pursuing Photography” »
I had a unique scenario few years back with a client who wants to see the shots while we were shooting. It was on outdoor shoot so we had to connect my camera through its USB port to my enclosed laptop and use Lightroom’s tethering feature. It was a solution at that time but we encountered some concerns along the way.
Yes, the client was happy even if the shots were coming in slow. There’s about 5 seconds delay and I have to shoot it with a good interval between shots so the transfer of data, given the fact that we were shooting raw, wouldn’t be that overwhelming. The connection between the computer and camera somehow keeps on disconnecting.
This is something that I have to deal with every time we need to shoot tethered. I know that I must have done something wrong or a setting that needs to be set since those that I see in youtube are working perfectly fine. Continue reading “Tethered Shooting” »
Photography is always perceived to be expensive. While it’s not entirely true, yes there are skyrocket price tag for some camera and lenses. However, you have to understand that in photography, the quality always speaks its price. I think that the decision to buy the expensive ones is critical in your journey in photography.
There is always the question of whether to buy and entry level camera and lenses or to go with the mid level set. There’s always the option to buy pro level equipments if money is not an issue. But if you’re starting up in photography, no matter if you choose to buy the entry level or the pro cameras, your output will almost always be the same.
The pro camera being expensive has features that are made for professional to be able for them to do their work more efficiently and effectively. By efficiently, I’m referring to the speed and quick functions for you to take your shots in split seconds. Effectively is more on the reliability issue. Continue reading “An Arm And A Leg” »