I’ve been using Photoshop for more than two decades now. I started with the version three sometime in the mid 90’s. We were so thrilled that we can change the color of the hair and remove unwanted elements in the photo. Surprisingly, the same basic editing function of Photoshop is still the core engine of the application after twenty five years.
Adjustment layers stacked up under the layers panel. You can individually adjust them anytime in your work sequence. All adjustment is temporary until you flatten the image. Credits: Ali Globin, Dexter Alazas’ Ad Models.
Here’s a few functions you might not know or have been using but failed to maximize its use. Here we go:
Curves – this is an adjustment tool that lets you edit the tones of an image. You can add as many nodes as you want in the line between highlight and shadows. From there you can increase or decrease the tone on every nodes.
Curves can also be used to edit tones based on color channel. If you’re working on an RGB file, you can individually edit the Red, Green and Blue channels to fit your desired color. I normally use this when editing skin tones. Continue reading “Three things about Photoshop” »
OSLOB. I was testing shooting HDR handheld minus the tripod, and even if the shutter speed was fast enough for all the three frames, I experienced some softness during alignment in Photoshop. Tripod is still the best option when shooting HDR.
Often, when a group of photographers is put in one room, it’s inevitable that the topic of gears will almost instantly be a hit. One would share a personal review on a particular brand while others would update the group in terms of new releases. On rare occasion, one photographer would open up and share one’s techniques.
This is the part that I really look forward to. While I’m quite technical when it comes to gears configuration, I’m also a sucker when it comes to shooting style and techniques. I probably spend 90 percent of my time learning the different photographic challenges and technique. Continue reading “Charge to Experience” »
DON’T know of any photographer who is crazier than Zack Arias. He’s the type who doesn’t care if you like him or not. Recently, I saw a video of him trying to differentiate a crop sensor versus other sensor sizes. I didn’t expect him to end up choosing Fujifilm’s APS-C sensor.
A PRO’S RECOMMENDATION. A renowned editorial and commercial photographer, Zack Arias recently released a video in which he differentiated the crop sensor versus other sensor sizes. Despite the common practice of using full frame to supposedly ensure high quality, he made the surprising choice of going for a smaller sensor. (ZACKARIAS.COM FOTO)
Zack, no matter how much success and popularity he has, maintains his independence. I’m pretty sure he was not asked to endorse Fujifilm without his personal preference over the brand—making him trustworthy amidst the circus of brand endorsements. Continue reading “Crop sensor vs full frame” »
My photography student asked for assistance in buying the right DSLR for him. I gave him a range of 30-50k. I have to admit, I tried to push the budget and ended up buying the 70D which falls to the extreme side of the budget. Continue reading “Fully Loaded 70D” »
For those of you who missed the previous article, I’m actually doing a series of articles about color management. In the first part, I explained the theory of monitor calibration. I also covered how the software works with a monitor calibrator and how ICC loads the monitor profile in the operating system.
Just before the actual calibration, the software will ask you to set targets for gamma and white point or color temperature. The gamma settings you choose will be the basis to set your brightness and contrast while the color temperature will correct the rendered white point of the monitor.
Monitor calibration target white point copy
Continue reading “Color Management for Photographer: Monitor Calibration, Part 2” »
One photographer I know once told me that it all boils down to photo editing. It sounded that if you just expose your shot properly, all you have to do is click on the famous “Nik” software and a masterpiece will just emerge from it.
While it’s true that post processing is as important as photography itself, no amount of post processing can transform a bad shot into a money shot. A good shot on the other hand can stand alone without any post processing at all. The idea is to get the shot nearest to the image you imagine it to come out and let post processing enhance it.
Unfortunately, there’s a lot at stake and too many to consider when shooting that the chance of getting a money shot is not instantaneous in every shot you make. You can sometimes call it a lucky shot but setting yourself up to be in the right spot at the right moment is definitely a must skill for every photographer out there.
Continue reading “A Cast Of Blue In The Shadows” »
This is a collection of my landscape photos. I had this printed and binded with GraphicStar.
Having all your photos stored in an external hard disk, sometimes we forget that there’s a lot of interesting landscape or portraits that are long forgotten. Here are some things you can do to bring those photos into life and maybe offer it as gifts.
Before we spill the beans, let’s talk about the different printing process that’s available for you to choose from. Some photographers don’t print their photos anymore because of the high printing cost. True, printing is expensive unless you know your alternatives.
Continue reading “Gift Ideas” »
Last week we conducted a photography workshop for Landbank staff. It was part of their employee development program. There were so many who enrolled that we have to divide the workshop into three schedules.
Our contact informed us that not everybody who enrolled owns a DSLR, some would just like to understand photography in general. To my surprise, many attended with the latest model camera having multiple lenses. Continue reading “Photographic Journey” »
18mm – City lights, Bangkok. Taken from the heights of Lebua Towers.
18mm – Floating Market, Thailand
A PHOTOGRAPHER has to go through a rigorous task of deciding what equipment to bring when traveling. Should I bring two camera bodies? What lenses should I bring? Do I need a flash? My tripod is quite heavy, can I survive the trip without it? Continue reading “What Lens To Bring” »